Corpsessed - Ridiculous Name, Brilliant Debut

Yep, Corpsessed.  As in obsessed with dead bodies one would assume?  In the history of poor choices for the name of your DM band it ranks quite high in a top ten of names that surely not everybody in the group consented to?

Thankfully these Finnish bringers of darkness more than make up for this bizarre name choice by delivering an excellent slab of DM on their debut album "Abysmal Thresholds".  From the off it's clear that Incantation are an influence (who fucking isn't influenced by them?) but album opener (proper) "Of Desolation" has stabs of symphonic synths that bring to mind a meeting of the aforementioned Incantation and Emperor too.

The rule is book is not torn up and re-written on "Abysmal Thresholds" but the established format and recognisable structure of what Corpsessed do is done very well.  Dripping with riffs, seeping with atmosphere and dragged along by vocals that dredge all the filth, murkiness and grime out of every lyric, Corpsessed present an unrelenting opus for the listeners pleasure.  Given this is only their debut it is positively frightening how much potential is here for future releases!  My first real death metal "find" of 2014.





Comments

Post a Comment

Popular posts from this blog

In Hindsight (Sepultura)

Image
I remember getting my grubby teenage mitts on "Arise" in 1991.  I was 14 and was so new and naive to the brutal sound of the Brazilian's particular brand of thrash metal I genuinely believed it to be the best album they made and spent years ignoring anything that had gone before.  Then came "Chaos AD" which I liked for about five minutes before I sold the CD for beer money.  In the space of two years I had fallen in love with and out of love with a band on the basis of two records and being offered "Roots" three years later was hardly the reconciliation I'd hoped for either. The fact is though that growing up has a certain charm when it comes to music and learning to understand the concept and importance of a discography is a key part of any music lovers maturity. For this reason I remember with equal clarity my discovery of two of the most important thrash records in my collection, both of them unheard by my young and frankly at times stupid ear
Read more

The Vinyl Collection - Metallica "Master of Puppets"

Image
Following the rude interruption of Xmas in the otherwise perfect equilibrium of Eminent Silence, the realm now finds itself in possession of a record player.  To maximise the potential of this new toy steps have been taken to find appropriate items to facilitate the functionality of the latest addition to the available technology in the realm.  Ok, the short version, I bought some vinyl records. However, owning a cloud library that itself contains a fair few days worth of listening material as well as a reasonably sized CD collection means that not just any old release will find its way to my turntable.  Since I spend most of my week travelling and living in hotels it is obvious my record listening habits will be limited to weekends so the titles that will occupy my vinyl collection will be only those considered as "classics". This leads me nicely to another excuse to write random reviews of aforementioned vinyl classics, starting with Metallica's 1986 thrash metal op
Read more

Bell Witch - "Four Phantoms"

Image
Yep, another late review but I am sure by now any readers of the blog will know to expect little in the way of regularity in terms of posts here.  Nowadays I only post when I feel the need to share something so good or impressive that to listen to it alone does not do it sufficient justice.  Sometimes, not sharing something borders on criminal.  This ethos is very much applicable to "Four Phantoms", which is an extraordinary, challenging and thought provoking listen. To start with Bell Witch are not a stereotypical metal band.  The two members use only bass and drums as their preferred weapons of choice.  The bass is a six string affair so the capacity for some very heavy and harrowing riffs and leads is explored fully by Dylan Desmond.  The 4 tracks flow effortlessly between crushing heaviness and melancholic melodies.  The hour of your attention that it demands takes you to dark places as it explores four violent deaths at the hand of nature.  Drowning, suffocation, imm
Read more